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In March 2017, after attracting the attention of his soon-to-be manager, Ryan Walter, with a handful of SoundCloud uploads, Capaldi released his first official single, “Bruises.” It was a swift streaming hit, quickly racking up tens of millions of Spotify plays. Maybe all that’s showing is I haven’t evolved since I was 11.” “My first gig was me sitting with a guitar, and now you can see me standing with a guitar at an arena. “I’ve always been drawn to someone standing with a guitar, singing a song they wrote,” he says.
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He also learned how to project over the din of the pub as he settled into his new voice.ĭuring this time, Capaldi’s vision of the kind of musician he wanted to be never wavered. Brightside,” and it didn’t elicit a flying pint, he might be onto something. For years, Capaldi endured drunk hecklers as he performed sets of covers sprinkled with originals, figuring that if he could slot one of his own songs next to, say, the Killers’ “Mr. “As soon as people have an idea that you may have some pubic hair, they start to get really suspicious,” he jokes. It was just him and his guitar and his high-pitched voice, and the cute points came in at a steady clip, at least until puberty hit. So don’t expect much from that, but I’m just keeping everyone in the loop.”Ĭapaldi’s music career began when he started playing pubs around Edinburgh and Glasgow at the age of 11. “I’m in the process of trying to grow a mustache,” he proudly proclaims, before quickly qualifying: “It is not going as well as I would have hoped. And he gets to do so at home, where he can comfortably chart out the next phase of his artistic evolution, while simultaneously exploring other areas of personal growth. Now he’s been afforded the rare luxury of time to plot out his next move and reflect on the past few years of travel, pop success, and still more heartache. (That’s if you’re lucky Costello said it was just six months.) Capaldi had begun jotting down ideas for LP2, and he’d hoped to start writing while on the road. When we first spoke back in March, Capaldi paraphrased the old truism - sometimes attributed to Elvis Costello - that you have your whole life to write your first album, and then two years to write the second. “If it’s any consolation to those that don’t like me, most people who have a very successful first album go on to have an absolute shocker of a second one.”
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“I’m sorry you’ve had to put up with me for this long,” he cracked in a short video announcing To Tell the Truth. If there are any nerves, Capaldi doesn’t betray them, but he does have a keen sense of the tension between expectation and the realities of a constantly churning music industry. With Capaldi’s swift rise and huge success in mind, it makes sense when he says he’s come to view the current lockdown as a sort of “blessing in disguise.” Before COVID-19, Capaldi was preparing to embark on pop music’s equivalent to climbing Mount Everest with a swarm of murder hornets at your back: making a second album. A cover of Lady Gaga and Bradley Cooper’s “Shallow” during a BBC session a few days after the release of “Someone You Loved,” to a crowning performance of that latter track at the 2020 Brit Awards, where his signature hit took home Song of the Year. But its track list also reflects some of the pivotal turning points of his past few years. It’s a “little thank you” to fans, Capaldi calls it. Released last week to coincide with the one-year anniversary of Divinely Uninspired, it collects six performances that became fan-favorites on YouTube. With no shows on the horizon, Capaldi has offered up a new live EP, To Tell the Truth I Can’t Believe We Got This Far. And, he adds, “I’m more upset about my touring crew, not my own momentum - I’ve done well enough.” But he notes that he was lucky enough to be at the end of his album cycle, as opposed to someone like Horan, who’d just released a new LP in March. Pretty much all of that has now been scrapped or postponed because of the pandemic, and Capaldi figures that this has become his longest stint off the road in at least three years. festivals (Isle of Wight, Parklife, Leeds). headlining dates in July, and top billing at several major U.K. Next, he planned to take a victory lap: a North American arena tour opening for Niall Horan, some U.S. Back in March, days before the COVID-19 crisis forced him to start sleeping in his childhood bedroom with one eye open, Capaldi played a pair of sold-out shows at London’s Wembley Arena, two of the biggest of his career.
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